{"id":5166,"date":"2026-06-18T17:30:55","date_gmt":"2026-06-18T17:30:55","guid":{"rendered":"https:\/\/reportinghouse.k-clients.com\/exhibitions\/froni-i-pashpreses-dhe-pasigurise-goncalo-mabunda\/"},"modified":"2026-10-18T17:57:45","modified_gmt":"2026-10-18T17:57:45","slug":"froni-i-pashpreses-dhe-pasigurise-goncalo-mabunda","status":"publish","type":"exhibition","link":"https:\/\/reportinghouse.org\/sr\/exhibitions\/froni-i-pashpreses-dhe-pasigurise-goncalo-mabunda\/","title":{"rendered":"PRESTO BEZNADE\u017dNOSTI I  NEIZVESNOSTI &#8211; Gon\u00e7alo Mabunda"},"content":{"rendered":"<p>Totemske skulpture Gonzala Mabunde koje nikoga ne ostavljaju ravnodu\u0161nim osvr\u0107u se na politi\u010dku istoriju umetnikove domovine, Mozambika, konkretno krvavi gra\u0111anski rat koji je razorio zemlju u vi\u0161e od 15 godina.<\/p>\n<p>Mabunda menja namenu zaostav\u0161tine sukoba \u2014 pu\u0161ke AK-47, rakete, nagazne mine i \u010daure, na primer \u2014 pretvaraju\u0107i ove destruktivne predmete u zapanjuju\u0107e maske, name\u0161taj i druge skulpture.<\/p>\n<p>Mabundina praksa podriva nadmo\u0107 rata i stvara novu tradiciju lepote. Njegov rad podse\u0107a na modernisti\u010dke eksperimente \u017dor\u017ea Braka i \u017dana Dibifea, kao i na tradicionalnu umetnost Afrike. Mabunda je izlagao svoj rad u Gugenhajm Bilbau, Centru Pompidou, Muzeju umetnosti Mori i Muzeju u Bruklinu. Bio je prvi umetnik iz Mozambika koji je nastupao na Venecijanskom bijenalu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Totemske skulpture Gonzala Mabunde koje nikoga ne ostavljaju ravnodu\u0161nim osvr\u0107u se na politi\u010dku istoriju umetnikove domovine, Mozambika, konkretno krvavi gra\u0111anski rat koji je razorio zemlju u vi\u0161e od 15 godina. Mabunda menja namenu zaostav\u0161tine sukoba \u2014 pu\u0161ke AK-47, rakete, nagazne mine i \u010daure, na primer \u2014 pretvaraju\u0107i ove destruktivne predmete u zapanjuju\u0107e maske, name\u0161taj i [&hellip;]<\/p>\n","protected":false},"featured_media":5165,"template":"","class_list":["post-5166","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition\/5166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/types\/exhibition"}],"version-history":[{"count":2,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition\/5166\/revisions"}],"predecessor-version":[{"id":5171,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition\/5166\/revisions\/5171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media\/5165"}],"wp:attachment":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media?parent=5166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}