{"id":5188,"date":"2026-08-25T12:08:05","date_gmt":"2026-08-25T12:08:05","guid":{"rendered":"https:\/\/reportinghouse.k-clients.com\/exhibitions\/the-valley-1999-dan-reed\/"},"modified":"2026-10-18T18:13:05","modified_gmt":"2026-10-18T18:13:05","slug":"the-valley-1999-dan-reed","status":"publish","type":"exhibition","link":"https:\/\/reportinghouse.org\/sr\/exhibitions\/the-valley-1999-dan-reed\/","title":{"rendered":"DOLINA (1999) &#8211; Dan Reed"},"content":{"rendered":"<p>RE\u017dISER, SCENARIO, PRODUCENT: DEN RID<br \/>\nPRODUCENT: VON SMIT,<br \/>\nSNIMATELJ: JACEK PETRICKI<br \/>\nZVUK: PATRIK BOLAND<br \/>\nMONTA\u017dA: STEFAN RONOVICZ<br \/>\nMUZIKA: DEJVID HJUZ I D\u017dON MARFI<br \/>\nPREVODIOCI NA KOSOVU: SAFET GA\u0160I, EVLJIANA BERANI I JETA D\u017dARA<br \/>\nPREVODIOCI U LONDONU: AFERDITA STATOVCI, JEHONA \u0110UR\u0110EALJA<br \/>\n\u00a9 DAN REED &amp; \u00a9 CHANNEL 4<\/p>\n<p>Snimljen tokom gorkih borbi pre nego \u0161to je po\u010deo vazdu\u0161ni napad NATO snaga, Dolina je putovanje duboko u popri\u0161ta ubijanja na Kosovu, poslednjeg evropskog rata u 20. veku. Dreni\u010dka dolina je prva i najte\u017ee pogo\u0111ena u ovom ratu i sada je uni\u0161tena.<\/p>\n<p>Ovaj izvanredni film pokazuje kako spirala straha, mr\u017enje i ubijanja \u2013 poduprta drevnim mitovima \u2013 mo\u017ee da stvori u\u017easnu logiku za sebe. Dolina dramati\u010dno pokazuje mo\u0107 potcenjivanja i oskudice. Ovde su proganjaju\u0107i prizori zapaljenih sela i ugljenisanih le\u0161eva stavljeni u kontrast sa ogromnom prirodnom lepotom. Svojom u\u017easavaju\u0107om, ali vizuelno lepom kinematografijom, i oslanjanjem na prirodni zvuk bez muzike ili naracije koja odvra\u0107a pa\u017enju, dokumentarac stvara zapanjuju\u0107u neposrednost i realizam.<\/p>\n<p>Producent i re\u017eiser Dan Rid proveo je ve\u0107i deo 1998. godine u srcu kako ustanka kosovskih Albanaca tako i sveop\u0161te srpske ofanzive koja je usledila. Njegov film svedo\u010di o, kako sam ka\u017ee, \u201eparalelnim poluistinama koje razdvajaju Srbe i Albance na Kosovu i \u010dine ih slepima za nevolje jedni drugih\u201c i \u201e\u010disto incestuoznu brutalnost rata me\u0111u susedima\u201c.<\/p>\n<p>NAGRADE:<br \/>\nDOBITNIK NAGRADE BANFF ROCKIE AWARD 1999, NAJBOLJI DRU\u0160TVENI I POLITI\u010cKI<br \/>\nDOKUMENTARAC<br \/>\nDOBITNIK ME\u0110UNARODNE NAGRADE KRITIKE 1999 NA BANFF TELEVIZIJSKOM FESTIVALU<br \/>\nDOBITNIK NEMA\u010cKE TELEVIZIJSKE NAGRADE 1999, NAJBOLJI STRANI PROGRAM (BESTE<br \/>\nAUSL\u00c4NDISCHE SENDUNG)<br \/>\nDOBITNIK NAGRADE U DUHU SLOBODE (IN SPIRIT FOR FREEDOM) 1999, NAJBOLJI<br \/>\nDOKUMENTARNI FILM, FILMSKI FESTIVAL U JERUSALIMU<br \/>\nDOBITNIK ZLATNE NIMFE 2000, NAJBOLJI PROGRAM O AKTUELNIM DE\u0160AVANJIMA, TV FESTIVAL<br \/>\nU MONTE KARLU<br \/>\nDOBITNIK ZLATNOG REMBRANTA 1999, NOMBRE D\u2019OR AWARDS<br \/>\nDOBITNIK NAGRADE PEABODI ZA 2000<br \/>\nDOBITNIK NAGRADE PRIX ITALIA 1999, NAJBOLJI DOKUMENTARNI FILM &#8211; AKTUELNOSTI<br \/>\nDOBITNIK 2000 ZLATNI TORANJ, ME\u0110UNARODNI FILMSKI FESTIVAL U SAN FRANCISKU<\/p>\n","protected":false},"excerpt":{"rendered":"<p>RE\u017dISER, SCENARIO, PRODUCENT: DEN RID PRODUCENT: VON SMIT, SNIMATELJ: JACEK PETRICKI ZVUK: PATRIK BOLAND MONTA\u017dA: STEFAN RONOVICZ MUZIKA: DEJVID HJUZ I D\u017dON MARFI PREVODIOCI NA KOSOVU: SAFET GA\u0160I, EVLJIANA BERANI I JETA D\u017dARA PREVODIOCI U LONDONU: AFERDITA STATOVCI, JEHONA \u0110UR\u0110EALJA \u00a9 DAN REED &amp; \u00a9 CHANNEL 4 Snimljen tokom gorkih borbi pre nego \u0161to je [&hellip;]<\/p>\n","protected":false},"featured_media":5187,"template":"","class_list":["post-5188","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition\/5188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/types\/exhibition"}],"version-history":[{"count":2,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition\/5188\/revisions"}],"predecessor-version":[{"id":5192,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/exhibition\/5188\/revisions\/5192"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media\/5187"}],"wp:attachment":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media?parent=5188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}