{"id":3460,"date":"2024-09-09T08:51:01","date_gmt":"2024-09-09T08:51:01","guid":{"rendered":"https:\/\/reportinghouse.k-clients.com\/museum-events\/diskutim-me-alan-chin-fotograf-i-new-york-times\/"},"modified":"2026-09-23T14:09:08","modified_gmt":"2026-09-23T14:09:08","slug":"diskutim-me-alan-chin-fotograf-i-new-york-times","status":"publish","type":"museum_events","link":"https:\/\/reportinghouse.org\/sr\/museum-events\/diskutim-me-alan-chin-fotograf-i-new-york-times\/","title":{"rendered":"Razgovor sa Alanom \u010cinom (Alan Chin) \u2013 Fotografom New York Times-a"},"content":{"rendered":"<p>Tokom predavanja u Reporting House-u BIRN-a u Pri\u0161tini, fotoreporter sa sedi\u0161tem u Njujorku, Alan \u010cin , osvrnuo se na svoj rad tokom rata na Kosovu 1998\u201399, nagla\u0161avaju\u0107i ulogu sna\u017enih fotografija u oblikovanju zapadnog mi\u0161ljenja i ubrzavanju me\u0111unarodne intervencije. \u201eKosovo je bilo jedno od onih mesta gde je na\u0161 rad imao uticaj\u201c, rekao je on, isti\u010du\u0107i fotografije koje su se \u0161iroko \u0161irile \u2014 poput one t\u00eb borcu U\u00c7K-a Ali Pacarizi, i koje jan\u00eb sh\u00ebrbyer kao katalizatori p\u00ebr v\u00ebmendjen nd\u00ebrkomb\u00ebtare. Chin je naveo da je brzina reakcije Zapada delimi\u010dno bila posledica ose\u0107aja krivice zbog neuspeha da se deluje u Bosni, naro\u010dito nakon genocida u Srebrenici 1995. godine.<\/p>\n<p>\u010cinChin, koji je tako\u0111e izve\u0161tavao iz Iraka i Avganistana, prvi put je do\u0161ao na Kosovo 1997. godine, a zatim se vra\u0107ao vi\u0161e puta, dokumentuju\u0107i sahrane, izbegli\u010dke kolone i haos na granicama. Ispri\u010dao je kako je fotografisao civile i te\u0161ke momente rata, uklju\u010duju\u0107i i ratnog zlo\u010dinca \u017deljka \u2018Arkana\u2019 Ra\u017enatovi\u0107a na fudbalskoj utakmici 1999. godine, kada je Arkan izazvao novinare govore\u0107i: \u201eVi niste sportski fotografi.\u201c Za \u010cina, uvek je najva\u017enija bila patnja civila: \u201ePratili smo ko strada, ko biva ubijen i \u0161ta se de\u0161ava sa ljudima,\u201c rekao je.<\/p>\n<p>Njegovo u\u010de\u0161\u0107e u Reporting House \u2014 izlo\u017ebi koja spaja ratno novinarstvo, fotografiju i savrem.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tokom predavanja u Reporting House-u BIRN-a u Pri\u0161tini, fotoreporter sa sedi\u0161tem u Njujorku, Alan \u010cin , osvrnuo se na svoj rad tokom rata na Kosovu 1998\u201399, nagla\u0161avaju\u0107i ulogu sna\u017enih fotografija u oblikovanju zapadnog mi\u0161ljenja i ubrzavanju me\u0111unarodne intervencije. \u201eKosovo je bilo jedno od onih mesta gde je na\u0161 rad imao uticaj\u201c, rekao je on, isti\u010du\u0107i [&hellip;]<\/p>\n","protected":false},"featured_media":3458,"template":"","class_list":["post-3460","museum_events","type-museum_events","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/museum_events\/3460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/museum_events"}],"about":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/types\/museum_events"}],"version-history":[{"count":1,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/museum_events\/3460\/revisions"}],"predecessor-version":[{"id":3461,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/museum_events\/3460\/revisions\/3461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media\/3458"}],"wp:attachment":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media?parent=3460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}