{"id":5806,"date":"2026-10-20T12:10:58","date_gmt":"2026-10-20T12:10:58","guid":{"rendered":"https:\/\/reportinghouse.k-clients.com\/reporters\/anri-sala\/"},"modified":"2026-10-20T12:19:53","modified_gmt":"2026-10-20T12:19:53","slug":"anri-sala","status":"publish","type":"reporters","link":"https:\/\/reportinghouse.org\/sr\/reporters\/anri-sala\/","title":{"rendered":"Anri Sala"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Anri Sala stvara transformativna vremenski bazirana dela putem vi\u0161estrukih veza izme\u0111u slike, arhitekture i zvuka, koristec\u0301i ih kao elemente da sklopi, preokrene i preispita iskustva. Njegovi radovi istra\u017euju pukotine u jeziku, sintaksi i muzici, pozivajuc\u0301i na kreativne dislokacije koje stvaraju nove interpretacije istorije, zamenjujuc\u0301i stare fikcije i narative sa dijalozima koji su manje eksplicitni i sa vi\u0161e finesa.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Njegov rad je bio predmet samostalnih izlo\u017ebi na Bourse de Commerce, Pariz (2023); Kunsthaus Bregenz (2021); Cisterna Buffalo Baiou Park, Hjuston (2021); Centro Botin, Santander (2019); Mudam, Luksemburg (2019); Castello di Rivoli Museo d\u2019Arte Contemporanea, Torino (2019); Museo Tamaio, Meksiko Siti (2017); Novi muzej, Njujork (2016); Haus der Kunst, Minhen (2014); Centar Pompidu, Pariz (2012); Galerija Serpentine, London (2011); Muzej savremene umetnosti Severni Majami (2008); i ARC, Muzeju moderne umetnosti grada Pariza (2004). Tako\u0111e je u\u010destvovao na velikim grupnim izlo\u017ebama i bijenalima na me\u0111unarodnom nivou, uklju\u010dujuc\u0301i 57. Venecijansko bijenale (2017), dOCUMENTA (13) (2012), 29. Bijenale u Sao Paulu (2010) i 4. Berlinski bijenale (2006). Predstavljao je Francusku 2013. na 55. Venecijanskom bijenalu.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anri Sala stvara transformativna vremenski bazirana dela putem vi\u0161estrukih veza izme\u0111u slike, arhitekture i zvuka, koristec\u0301i ih kao elemente da sklopi, preokrene i preispita iskustva. Njegovi radovi istra\u017euju pukotine u jeziku, sintaksi i muzici, pozivajuc\u0301i na kreativne dislokacije koje stvaraju nove interpretacije istorije, zamenjujuc\u0301i stare fikcije i narative sa dijalozima koji su manje eksplicitni i [&hellip;]<\/p>\n","protected":false},"featured_media":5805,"template":"","reporter_type":[79,21],"reporter_location":[78],"class_list":["post-5806","reporters","type-reporters","status-publish","has-post-thumbnail","hentry","reporter_type-artist","reporter_type-contributor","reporter_location-albania"],"acf":[],"_links":{"self":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters"}],"about":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/types\/reporters"}],"version-history":[{"count":1,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5806\/revisions"}],"predecessor-version":[{"id":5808,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5806\/revisions\/5808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media\/5805"}],"wp:attachment":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media?parent=5806"}],"wp:term":[{"taxonomy":"reporter_type","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_type?post=5806"},{"taxonomy":"reporter_location","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_location?post=5806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}