Lana \u010cmaj\u010danin \u00ebsht\u00eb artiste bashk\u00ebkohore nga Bosnja dhe Hercegovina, e lindur n\u00eb Sarajev\u00eb n\u00eb vitin 1983. Ajo ka p\u00ebrfunduar studimet master n\u00eb skulptur\u00eb n\u00eb Akademin\u00eb e Arteve t\u00eb Bukura t\u00eb Universitetit t\u00eb Sarajev\u00ebs, nd\u00ebrsa ka vazhduar studimet e doktorat\u00ebs n\u00eb Akademin\u00eb e Arteve t\u00eb Bukura n\u00eb Vjen\u00eb. \u010cmaj\u010danin jeton dhe vepron mes Sarajev\u00ebs dhe Vjen\u00ebs. Ajo \u00ebsht\u00eb gjithashtu bashk\u00ebthemeluese dhe an\u00ebtare e organizat\u00ebs p\u00ebr kultur\u00eb dhe art Crvena.<\/p>\n
Praktika e saj artistike p\u00ebrfshin instalacionin, video-artin, performanc\u00ebn, fotografin\u00eb dhe instalacionet zanore. Krijimtaria e \u010cmaj\u010danin p\u00ebrqendrohet n\u00eb marr\u00ebdh\u00ebniet nd\u00ebrmjet historis\u00eb, memories kolektive dhe strukturave t\u00eb pushtetit politik e shoq\u00ebror, duke trajtuar ve\u00e7an\u00ebrisht pasojat e luft\u00ebs n\u00eb Bosnj\u00eb dhe Hercegovin\u00eb, dhun\u00ebn strukturore, nacionalizmin dhe rolin e grave n\u00eb shoq\u00ebri. P\u00ebrmes p\u00ebrdorimit t\u00eb dokumenteve historike, hartave dhe materialeve arkivore, ajo shqyrton m\u00ebnyrat se si kufijt\u00eb territorial\u00eb dhe narrativat politike ndikojn\u00eb n\u00eb form\u00ebsimin e identitetit dhe kujtes\u00ebs kolektive.<\/p>\n
Veprat e \u010cmaj\u010danin jan\u00eb prezantuar n\u00eb institucione dhe ngjarje nd\u00ebrkomb\u00ebtare t\u00eb artit, p\u00ebrfshir\u00eb Bienalen e 58-t\u00eb t\u00eb Venecias (2019), Stedelijk Museum n\u00eb Amsterdam (2015), Garage Museum of Contemporary Art n\u00eb Mosk\u00eb (2015), Pera Museum n\u00eb Stamboll (2016) dhe Autostrada Biennale n\u00eb Prizren (2019). N\u00eb vitin 2013, ajo u vler\u00ebsua me \u00c7mimin Special n\u00eb edicionin e 54-t\u00eb t\u00eb Sallonit t\u00eb Tetorit n\u00eb Beograd. Veprat e saj jan\u00eb pjes\u00eb e koleksioneve nd\u00ebrkomb\u00ebtare, p\u00ebrfshir\u00eb Wien Museum n\u00eb Vjen\u00eb dhe Muzeun Historik t\u00eb Bosnj\u00ebs dhe Hercegovin\u00ebs n\u00eb Sarajev\u00eb.<\/p>\n
N\u00eb vitin 2024, \u010cmaj\u010danin u b\u00eb pjes\u00eb e Reporting House n\u00eb Prishtin\u00eb me instalacionin *Don’t Dream Dreams*, t\u00eb kuruar nga Gazmend Ejupi. Vepra trajton marr\u00ebdh\u00ebnien nd\u00ebrmjet historis\u00eb s\u00eb Bosnj\u00ebs dhe Hercegovin\u00ebs, nd\u00ebrhyrjeve nd\u00ebrkomb\u00ebtare dhe diplomacis\u00eb per\u00ebndimore, duke shqyrtuar ndikimin e strukturave t\u00eb pushtetit n\u00eb kujtes\u00ebn historike dhe p\u00ebrvoj\u00ebn kolektive t\u00eb rajonit.<\/p>\n","protected":false},"excerpt":{"rendered":"
Lana \u010cmaj\u010danin \u00ebsht\u00eb artiste bashk\u00ebkohore nga Bosnja dhe Hercegovina, e lindur n\u00eb Sarajev\u00eb n\u00eb vitin 1983. Ajo ka p\u00ebrfunduar studimet master n\u00eb skulptur\u00eb n\u00eb Akademin\u00eb e Arteve t\u00eb Bukura t\u00eb Universitetit t\u00eb Sarajev\u00ebs, nd\u00ebrsa ka vazhduar studimet e doktorat\u00ebs n\u00eb Akademin\u00eb e Arteve t\u00eb Bukura n\u00eb Vjen\u00eb. \u010cmaj\u010danin jeton dhe vepron mes Sarajev\u00ebs dhe Vjen\u00ebs. […]<\/p>\n","protected":false},"featured_media":5825,"template":"","reporter_type":[79,21],"reporter_location":[55],"class_list":["post-5826","reporters","type-reporters","status-publish","has-post-thumbnail","hentry","reporter_type-artist","reporter_type-contributor","reporter_location-bosnia-and-herzegovina"],"acf":[],"_links":{"self":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters"}],"about":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/types\/reporters"}],"version-history":[{"count":0,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5826\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media\/5825"}],"wp:attachment":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media?parent=5826"}],"wp:term":[{"taxonomy":"reporter_type","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_type?post=5826"},{"taxonomy":"reporter_location","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_location?post=5826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}