{"id":5845,"date":"2026-10-20T19:57:20","date_gmt":"2026-10-20T19:57:20","guid":{"rendered":"https:\/\/reportinghouse.org\/reporters\/goncalo-mabunda\/"},"modified":"2026-10-20T19:58:40","modified_gmt":"2026-10-20T19:58:40","slug":"goncalo-mabunda","status":"publish","type":"reporters","link":"https:\/\/reportinghouse.org\/sr\/reporters\/goncalo-mabunda\/","title":{"rendered":"Gon\u00e7alo Mabunda"},"content":{"rendered":"<p>Ro\u0111en 1975. godine u Maputu, Mozambik, \u017divi i radi u Maputu.<\/p>\n<p><span style=\"font-weight: 400;\">Rad Gonzala Mabunde posve\u0107en je se\u0107anju na njegovu zemlju. Poznaju\u0107i ga kao svoje neposredno okru\u017eenje, taj tragi\u010dni gra\u0111anski rat, koji je razorio Mozambik od sredine 70-ih do nedavno, on koristi oru\u017eje kao medij za svoje komade. Sedam miliona komada oru\u017eja bilo je uskladi\u0161teno i sakriveno \u0161irom zemlje. Ovde umetnost postaje du\u017enost; se\u0107anja. Radi u studiju \u201eN\u00facleo de Arte\u201c, a 1984. godine je u\u010destvovao u projektu Transformacije oru\u017eja u umetnost.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gonzalo je periodi\u010dno radio na motivu prestola u intervalu od nekoliko godina, aludiraju\u0107i na zainteresovanost zapadnog sveta da sakupljaju figure prestola u tradicionalnoj etni\u010dkoj afri\u010dkoj umetnosti. Presto tako\u0111e predstavlja kritiku upu\u0107enu na ra\u010dun sada\u0161njih afri\u010dkih vlada koje pre\u010desto tragi\u010dno manipuli\u0161u oru\u017eanim nasiljem, kao na\u010din da oja\u010daju svoju mo\u0107. Upe\u010datljivi i lepi objekti koje stvara tako\u0111e imaju, me\u0111utim, pozitivan odraz na transformativnu mo\u0107 umetnosti i otpornost i kreativnost afri\u010dkih gra\u0111anskih dru\u0161tava.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Zbirke: <\/span><span style=\"font-weight: 400;\">Centar Pompidou, Pariz, Francuska, <\/span><span style=\"font-weight: 400;\">Muzej Tropen, Amsterdam, Holandija, <\/span><span style=\"font-weight: 400;\">Public Art Norway, Norve\u0161ka, <\/span><span style=\"font-weight: 400;\">Pokrajinska vlada, Norve\u0161ka, <\/span><span style=\"font-weight: 400;\">Vojni muzej, Holandija, <\/span><span style=\"font-weight: 400;\">Vojni muzej, \u0160vedska, <\/span><span style=\"font-weight: 400;\">Vatikanski muzeji, Vatikan, <\/span><span style=\"font-weight: 400;\">Fondacija Projustitiae, Portugal, <\/span><span style=\"font-weight: 400;\">Me\u0111unarodni park skulptura, Kina, <\/span><span style=\"font-weight: 400;\">Nacionalni muzej Urugvaja, Urugvaj, <\/span><span style=\"font-weight: 400;\">Tempietto del Carmelo, Italija, <\/span><span style=\"font-weight: 400;\">Muzej Saint Etienne, Francuska, <\/span><span style=\"font-weight: 400;\">Mus\u00e9e international des arts modestes, Francuska, <\/span><span style=\"font-weight: 400;\">Memorial de Caen, Francuska, <\/span><span style=\"font-weight: 400;\">Nacionalni muzej, Mozambik, <\/span><span style=\"font-weight: 400;\">Muzej umetnosti i dizajna (MAD), SAD, <\/span><span style=\"font-weight: 400;\">Muzej u Bruklinu, SAD, <\/span><span style=\"font-weight: 400;\">Parque da Davesa (Famalicao), Portugal <\/span><span style=\"font-weight: 400;\">Afri\u010dki umetnici za razvoj, Francuska <\/span><span style=\"font-weight: 400;\">Muzej Viktorije i Alberta (fond grantova za kupovinu), VB.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ro\u0111en 1975. godine u Maputu, Mozambik, \u017divi i radi u Maputu. Rad Gonzala Mabunde posve\u0107en je se\u0107anju na njegovu zemlju. Poznaju\u0107i ga kao svoje neposredno okru\u017eenje, taj tragi\u010dni gra\u0111anski rat, koji je razorio Mozambik od sredine 70-ih do nedavno, on koristi oru\u017eje kao medij za svoje komade. Sedam miliona komada oru\u017eja bilo je uskladi\u0161teno i [&hellip;]<\/p>\n","protected":false},"featured_media":5844,"template":"","reporter_type":[79,21],"reporter_location":[24],"class_list":["post-5845","reporters","type-reporters","status-publish","has-post-thumbnail","hentry","reporter_type-artist","reporter_type-contributor","reporter_location-international"],"acf":[],"_links":{"self":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters"}],"about":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/types\/reporters"}],"version-history":[{"count":1,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5845\/revisions"}],"predecessor-version":[{"id":5846,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5845\/revisions\/5846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media\/5844"}],"wp:attachment":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media?parent=5845"}],"wp:term":[{"taxonomy":"reporter_type","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_type?post=5845"},{"taxonomy":"reporter_location","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_location?post=5845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}