{"id":5932,"date":"2026-10-20T20:34:34","date_gmt":"2026-10-20T20:34:34","guid":{"rendered":"https:\/\/reportinghouse.org\/reporters\/vullnet-jakupi\/"},"modified":"2026-10-20T20:35:55","modified_gmt":"2026-10-20T20:35:55","slug":"vullnet-jakupi","status":"publish","type":"reporters","link":"https:\/\/reportinghouse.org\/sr\/reporters\/vullnet-jakupi\/","title":{"rendered":"Vulnet Jakupi"},"content":{"rendered":"<p>Vulnet Jakupi je multidisciplinarni umetnik i kustos iz Pri\u0161tine, koji kreira uglavnom instalacije i video dela. Njegov umetni\u010dki opis kombinuje istoriju sa li\u010dnim ispovestima, tretiranjem raspar\u010danih se\u0107anja, napu\u0161tenih prostora i telesnog pam\u0107enja. Istra\u017eivanjem izdr\u017eljivosti i emocionalnih iskustava, Jakupi ispituje tragove koje istorijski doga\u0111aji ostavljaju na ljudskom telu i okolini, tra\u017ee\u0107i nove oblike vizuelnog izra\u017eavanja iskustava kojima preti zaborav.<\/p>\n<p>\u201e\u0160ta su \u0161aputali, na putu ka nepoznatom?\u201c je instalacija Vulneta Jakupija, izlo\u017eena u Reporting House-u, koja se bavi otporom albanskih u\u010denika i studenata tokom 1990-ih, kada je obrazovanje na albanskom jeziku izme\u0161teno u privatne ku\u0107e, prodavnice i podrume. U oko 8.100 prostora preobra\u0107enih u \u0161kole, nastava se odvijala uprkos izbacivanju iz javnih institucija i represiji Milo\u0161evi\u0107evog re\u017eima. Oka\u010dena iznad pokretnih stepenica nekada\u0161nje robne ku\u0107e Grmija, instalacija evocira uspomene na svakodnevnu nesigurnost u\u010denika, koji su \u010desto morali da idu sporednim ulicama kako bi stigli do svojih improvizovanih u\u010dionica. Delo vra\u0107a se\u0107anja na ovu mre\u017eu paralelnog obrazovanja, kojom su porodice, nastavnici i u\u010denici obezbedili kontinuitet \u0161kolovanja tokom decenije duge institucionalne isklju\u010denosti.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vulnet Jakupi je multidisciplinarni umetnik i kustos iz Pri\u0161tine, koji kreira uglavnom instalacije i video dela. Njegov umetni\u010dki opis kombinuje istoriju sa li\u010dnim ispovestima, tretiranjem raspar\u010danih se\u0107anja, napu\u0161tenih prostora i telesnog pam\u0107enja. Istra\u017eivanjem izdr\u017eljivosti i emocionalnih iskustava, Jakupi ispituje tragove koje istorijski doga\u0111aji ostavljaju na ljudskom telu i okolini, tra\u017ee\u0107i nove oblike vizuelnog izra\u017eavanja iskustava [&hellip;]<\/p>\n","protected":false},"featured_media":5931,"template":"","reporter_type":[79,21],"reporter_location":[23],"class_list":["post-5932","reporters","type-reporters","status-publish","has-post-thumbnail","hentry","reporter_type-artist","reporter_type-contributor","reporter_location-kosovo"],"acf":[],"_links":{"self":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters"}],"about":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/types\/reporters"}],"version-history":[{"count":1,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5932\/revisions"}],"predecessor-version":[{"id":5933,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporters\/5932\/revisions\/5933"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media\/5931"}],"wp:attachment":[{"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/media?parent=5932"}],"wp:term":[{"taxonomy":"reporter_type","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_type?post=5932"},{"taxonomy":"reporter_location","embeddable":true,"href":"https:\/\/reportinghouse.org\/sr\/wp-json\/wp\/v2\/reporter_location?post=5932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}